. Ovid Metamorphoses 2:809–11.

. Richard Friedenthal, ed., Letters of the Great Artsits, 2 vols. (London: Thames & Hudson, 1963), 1:113.

. Ibid., pp. 116–17.

. Ibid., p. 118.

. J. W. Bowker, The Sense of God: Sociological, Anthropological and Psychological Approaches to the Origin of the Sense of God (Oxford: Oxford University Press, 1973).

. As quoted by Frederic V. Grunfeld, The Hitler File: A Social History of Germany and the Nazis, 1918–45 (London: Weidenfeld & Nicholson, 1974), p. 251.

. G. Nedoshivin, “Introduction,” in An Exhibition of Works by Russian and Soviet Artists, Royal Academy of Arts (London: Arts Council of Great Britain, 1959), pp. 1617.

. Edward N. Luttwak, “Seeing China Plain,” Commentary 62 (December 1976): 31.

. Tom Wolfe, The Painted Word (New York: Farrar, Straus & Giroux, 1975), pp. 3–7.

. For a fuller account of this see my The Religious Imagination and the Sense of God (Oxford: Oxford University Press, 1978), pp. 37–42.

. Ibid.

. For these terms see my Jesus and the Pharisees (Cambridge: Cambridge University Press, 1973), pp. 1–5.

. This analysis of Jesus in relation to Judaism is given in much greater detail in my Religious Imagination, pt. 2.

. Rose Macaulay, The Towers of Trebizond (London: Collins, 1956), p. 187.

. As quoted by Herbert Read, Henry Moore: A Study of His Life and Work (London: Thames & Hudson, 1965), pp. 154–56.

. Bowker, Sense of God, p. 40.