Notes

  1. . Ovid Metamorphoses 2:809–11.
  2. . Richard Friedenthal, ed., Letters of the Great Artsits, 2 vols. (London: Thames & Hudson, 1963), 1:113.
  3. . Ibid., pp. 116–17.
  4. . Ibid., p. 118.
  5. . J. W. Bowker, The Sense of God: Sociological, Anthropological and Psychological Approaches to the Origin of the Sense of God (Oxford: Oxford University Press, 1973).
  6. . As quoted by Frederic V. Grunfeld, The Hitler File: A Social History of Germany and the Nazis, 1918–45 (London: Weidenfeld & Nicholson, 1974), p. 251.
  7. . G. Nedoshivin, “Introduction,” in An Exhibition of Works by Russian and Soviet Artists, Royal Academy of Arts (London: Arts Council of Great Britain, 1959), pp. 1617.
  8. . Edward N. Luttwak, “Seeing China Plain,” Commentary 62 (December 1976): 31.
  9. . Tom Wolfe, The Painted Word (New York: Farrar, Straus & Giroux, 1975), pp. 3–7.
  10. . For a fuller account of this see my The Religious Imagination and the Sense of God (Oxford: Oxford University Press, 1978), pp. 37–42.
  11. . Ibid.
  12. . For these terms see my Jesus and the Pharisees (Cambridge: Cambridge University Press, 1973), pp. 1–5.
  13. . This analysis of Jesus in relation to Judaism is given in much greater detail in my Religious Imagination, pt. 2.
  14. . Rose Macaulay, The Towers of Trebizond (London: Collins, 1956), p. 187.
  15. . As quoted by Herbert Read, Henry Moore: A Study of His Life and Work (London: Thames & Hudson, 1965), pp. 154–56.
  16. . Bowker, Sense of God, p. 40.