Notes

  1. . Michael Polanyi and Harry Prosch, Meaning (Chicago: University of Chicago Press, 1975). Some earlier works are Personal Knowledge (New York: Harper Torch–book, 1964); The Tacit Dimension (Garden City, N.Y.: Doubleday Anchor, 1967); knowing and Being, ed. Marjorie Grene (Chicago: University of Chicago Press, 1969).
  2. . Polanyi, Meaning, p. 69.
  3. . Ibid., p. 70.
  4. . Ibid., p. 71.
  5. . Ibid., p. 72.
  6. . Ibid., p. 78.
  7. . Stephen Crites, “Pseudonymous Authorship as Art and as Act,” in Kierkegaard: A Collection of Critical Essays, ed. Josiah Thompson (Garden City, N.Y.: Anchor Books, 1972), p. 210.
  8. . Ibid., p. 211.
  9. . Ibid., p. 214.
  10. . Ibid.
  11. . The distinction developed by Hannah Arendt between work and action is very illuminating here. In the work the maker presents his product, not himself, whereas in an action the actor is revealed as the one who is behind the doing. See, The Human Condition (Chicago: University of Chicago Press, 1958).
  12. . Polanyi, Meaning, p. 87.
  13. . Ibid., p. 86.
  14. . Louis Mackey, Kierkegaard, A Kind of Poet (Philadelphia: University of Pennsylvania Press, 1971), p. 250.
  15. . Arendt, Human Condition, p. 161.
  16. . Polanyi, Meaning, p. 100.
  17. . Ibid., p. 101.
  18. . Ibid., p. 105.
  19. . Ibid., p. 107.
  20. . Ibid., p. 154.
  21. . Ibid., pp. 158–559.
  22. . Mircea Eliade, Cosmos and History (New York: Harper Torchbook, 1959).
  23. . Arendt, Human Condition, p. 159.